[{"data":1,"prerenderedAt":287},["ShallowReactive",2],{"category-books-graphic-color":3,"allActiveTags":93},[4,14,23,35,44,56,67,74,83],{"_path":5,"title":6,"publishDate":7,"author":8,"publisher":10,"amazonURL":11,"cover":12,"issue":13},"/book/978-4568520040","色彩論","1971/01/16",[9],"ヨハネス・イッテン","美術出版社","https://amzn.to/47X61E2","https://m.media-amazon.com/images/I/51MO68-tznL._SL320_.jpg",null,{"_path":15,"title":16,"publishDate":17,"author":18,"publisher":20,"amazonURL":21,"cover":22,"issue":13},"/book/978-4805502228","教育スケッチブック","1991/03/01",[19],"パウル・クレー","中央公論美術出版","https://amzn.to/3RirbH3","https://m.media-amazon.com/images/I/81264G1AYrL._SL320_.jpg",{"_path":24,"title":25,"subtitle":26,"publishDate":27,"author":28,"publisher":30,"amazonURL":31,"copy":32,"cover":33,"issue":34},"/book/978-4893699442","カラー&タイプ","色と文字の正しい使い方","1999/02/20",[29],"ロブ・カーター","ビー・エヌ・エヌ新社","https://amzn.to/41tumiY","膨大な数の色やフォントの組み合わせを考えるためのガイドブック。","https://m.media-amazon.com/images/I/31J6MFDA56L._SL320_.jpg","文字と色の組み合わせに特有の要素とは何か、組み合わせをどのように評価すれば良いかを明らかにしたい",{"_path":36,"title":37,"publishDate":38,"author":39,"publisher":41,"amazonURL":42,"cover":43,"issue":13},"/book/978-4844356394","配色アイデア見本帳","2002/05/01",[40],"石田恭嗣","エムディエヌコーポレーション","https://amzn.to/3RnARiB","https://m.media-amazon.com/images/I/71R6Lp7wInL._SL320_.jpg",{"_path":45,"title":46,"subtitle":47,"publishDate":48,"author":49,"publisher":51,"amazonURL":52,"cover":53,"copy":54,"issue":55},"/book/978-4766113822","デジタル色彩表現","カラーイメージチャートによるコンピュータで色を使う人のためのカラーコーディネータートレーニングテキスト","2003/01/25",[50],"南雲治嘉","グラフィック社","https://amzn.to/42xwyoj","https://m.media-amazon.com/images/I/51G25NPYP4L._SL320_.jpg","演習で実際に手を動かして学べる、配色トレーニングドリル。","デジタルで配色を行う人に向けて、配色能力を身につけるためのトレーニングを提供したい",{"_path":57,"title":58,"subtitle":59,"publishDate":60,"author":61,"publisher":64,"amazonURL":65,"cover":66,"issue":13},"/book/978-4901355278","色彩","カラーコーディネーター入門","2007/06/01",[62,63],"大井善雄","川崎秀昭","日本色研事業","https://amzn.to/47wXjNx","https://m.media-amazon.com/images/I/41EqhU2FaQL._SL320_.jpg",{"_path":68,"title":69,"subtitle":13,"publishDate":70,"author":71,"publisher":41,"amazonURL":72,"cover":73,"issue":13},"/book/978-4844359364","ちゃんと知りたい配色の手法","2007/09/15",[40],"https://amzn.to/3DOTaH7","https://m.media-amazon.com/images/I/51fSrKCg9nL._SL320_.jpg",{"_path":75,"title":76,"subtitle":77,"publishDate":78,"author":79,"publisher":51,"amazonURL":81,"cover":82,"issue":13},"/book/978-4766123357","色のユニバーサルデザイン","誰もが見分けやすく美しい色の選び方","2012/03/06",[80],"日本色彩研究所","https://amzn.to/3SSv8DT","https://m.media-amazon.com/images/I/510PhmTQHHL._SL320_.jpg",{"_path":84,"title":85,"subtitle":86,"publishDate":87,"author":88,"publisher":90,"amazonURL":91,"cover":92,"issue":13},"/book/978-4797359237","配色&カラーデザイン","プロに学ぶ、一生枯れない永久不滅テクニック","2012/05/29",[89],"都外川八恵","SBクリエイティブ","https://amzn.to/45r9kSS","https://m.media-amazon.com/images/I/51n4rAFHuoL._SL320_.jpg",[94,97,99,101,103,107,109,112,114,117,125,129,131,133,135,137,139,141,143,145,149,151,153,155,157,160,162,165,167,170,175,177,180,182,184,186,188,190,192,194,196,198,200,202,204,209,211,213,215,217,227,230,232,234,236,239,241,244,248,251,254,256,258,261,263,265,267,269,271,273,275,277,279,281,283,285],{"tags":95},[96],"typography",{"tags":98},[96],{"tags":100},[96],{"tags":102},[96],{"tags":104},[105,106],"writing","communication",{"tags":108},[105,106],{"tags":110},[111],"chart",{"tags":113},[96],{"tags":115},[116,111],"IA",{"tags":118},[119,96,120,121,122,123,124],"composition","color","photography","editorial-design","graphic-design","layout",{"tags":126},[127,128],"european-typeface","calligraphy",{"tags":130},[121],{"tags":132},[123],{"tags":134},[123],{"tags":136},[105],{"tags":138},[111],{"tags":140},[111],{"tags":142},[123],{"tags":144},[123],{"tags":146},[147,96,148],"japanese-typeface","type-setting",{"tags":150},[123],{"tags":152},[96,127,148],{"tags":154},[127,96],{"tags":156},[96,127,148],{"tags":158},[96,127,159],"logo",{"tags":161},[120],{"tags":163},[164],"branding",{"tags":166},[111],{"tags":168},[169,96,159,147,127],"lettering",{"tags":171},[120,172,173,174],"perception","RGB","CMYK",{"tags":176},[120],{"tags":178},[119,96,120,121,111,179,122,123,124],"DTP",{"tags":181},[147,96,159],{"tags":183},[147,119,96],{"tags":185},[96,124,147,127,159],{"tags":187},[120],{"tags":189},[111],{"tags":191},[123,122,127,147,120,111],{"tags":193},[179,122],{"tags":195},[123],{"tags":197},[120],{"tags":199},[179,122],{"tags":201},[120],{"tags":203},[119,120,96,123,122],{"tags":205},[206,105,120,121,207,111,96,148,119,208,122,123],"design-elements","edit","design-process",{"tags":210},[123],{"tags":212},[124,116],{"tags":214},[159,96],{"tags":216},[96,147],{"tags":218},[219,220,119,221,222,223,224,225,226,122,123],"body","architecture","charles-eames","le-corbusier","braun","golden-ratio","silver-ratio","product-design",{"tags":228},[96,124,229],"grid",{"tags":231},[127,96],{"tags":233},[164],{"tags":235},[159,164,208,96],{"tags":237},[208,206,120,238],"art",{"tags":240},[159,127,147,96],{"tags":242},[219,243,106,206,208],"vision",{"tags":245},[169,127,246,247],"modern-design","industrial-revolution",{"tags":249},[105,250],"UXD",{"tags":252},[106,253,105],"copywriting",{"tags":255},[123],{"tags":257},[96,147,169],{"tags":259},[260],"bauhaus",{"tags":262},[179,122],{"tags":264},[120,96],{"tags":266},[124,96,229],{"tags":268},[105],{"tags":270},[164],{"tags":272},[123,124,96],{"tags":274},[120],{"tags":276},[96,246,123,148],{"tags":278},[96],{"tags":280},[96],{"tags":282},[96],{"tags":284},[96],{"tags":286},[96,124,179,122],1787542064888]